Process Shots

Platonic Solids

Recycled Materials Project

Recycled Materials Project

Recycled Materials Project

Recycled Materials Project

Designer: Jolan van der Weil

"jólan van der wiel has been combining technology with natural phenomena to develop new 'tools' which he uses to create various forms. his ongoing 'gravity' project explores the physics of magnetism to pull and manipulate polarized material into functioning pieces of furniture as seen in his 'gravity' stool..."

Click here for the original article

I came across this article on Designboom. I find Wiel's quest to defy gravity intriguing. The article describes the designer's latest gravity project the Puppeteer. Upon further research, I found out more about Weil and his "gravity" stools that are mentioned in the above quote. They are what really made me interested in finding out more about his work. Luckily, Designboom had featured a video on Weil's process. I think it's one of the coolest things I've seen. I was seriously just staring at the screen the entire time. Thought it'd be fun to share with everyone!

Gravity Stool production process

Gravity Stool production process

Gravity Stool,
Photo by Peter Lipton

Gravity Stools,
Photo by Peter Lipton

Critique!

Thought everyone did really well during the midterm critique! I'm hoping to make the suggested corrections to my project as soon as possible. Once I do, I'll be posting images of the finished product. 

Here's a few photos from the start of the critique:

I'm excited to be moving on to the second half of the semester!

Photos: Foam Core Explorations

Vertial Serial Planes

Experimentation with multiples

Curvilinear foam-core experimentation

Curvilinear foam-core experimentation

Curvilinear foam-core experimentation

Midterm Critique!

I've been gearing up for the midterm critique tomorrow all weekend! I have lots of process pictures that I will be posting of my projects as well as shots of the finished products. For now, here's a few of my inspirational images for my second project:

Artist’s Statement:

1.     Modular Relief

In working as a design team, we began by proposing the eventual form, function, and unity of the final construction. It was important for the piece to be a joint effort and to reflect the design aesthetics of both team members as individuals. In our modular relief structure, we centered our project on the repetition of origami hearts of varying sizes. The overlapping of the paper hearts in conjunction with the transition and gradation of size of the separate units allowed for the development of unity and rhythm within the piece. Along with this, our wall hanging also exhibits the design element of symmetry through its use of mirrored forms.

2.     Serial planes samples / curvilinear foam-core sample structure

When developing my serial plane samples, I felt it important to focus on the gradual transition in size and shape from one plane to another. To me, the organization and craftsmanship of each experimental structure were most important. Keeping these two things in mind, I felt it easier to then pay strict attention to the interaction of the planes, their shape, stability, and use of space. When approaching the curvilinear foam-core sample structure, I focused on similar design elements. However, along with my previous considerations I shifted my focus to the specific visual interaction of architectural planes.

3.     Architectonic sculpture w/ re-purposed materials

My initial inspiration for this project came from the growth and structure of flowers. After thorough research I narrowed my creative inspiration down to the structure and form of the stamen, the male reproductive organ of a flower. In my piece I used the repetition of forms to develop a sense of synergy. I did this by joining several smaller, individual forms together to create a larger three-dimensional piece. This allowed for the creation of positive and negative space within the sculpture. Along with this, I wanted my piece to be symmetrical in shape, reflecting the growth patterns of a flower. To adhere to the project requirements, I relied heavily on the use of recycled materials, such as the newspaper, and the use of the Terracycle wrappers. Also, to create visual interest, I mounted and raised my sculpture onto a circular base that allowed me to incorporate the use of serial planes as a support system. Overall, I am very pleased with the physical stability and visual balance of my sculpture.

Homework

1.     Experimenting with small-scale paper studies shows that two planar forms have the ability to interact with each other in one of three ways (1. Folding, 2. One plane is adjacent to another, 3. Planes interpenetrate).  Through the process of experimentation, one comes to understand that certain arrangements stand alone without problem, while others collapse.  The challenge in developing a planar composition is in balancing physical stability with perpetual dynamism.  The simplest method for achieving stability is the three-plane rule.  This rule states: “a stable structure results when any three planes meet so that each plane interacts with both of the other planes.”

Charles Ginnever, Rashomon, 1998.
Steel, 13 x 13 x 13 ft., three units.
Click here for more on Ginnever

2.     An environmental plane is used to define a space in which a planar object is experienced. A planar structure is created through the combination of separate planes to make one unified structure.  When three planes interact through three dimensions, they form a stable structure.

Fraaiheid, "+ table," 2013.

3.     Architectonic forms are prominent in the world of man-made objects (architecture and furniture fall into this category). Examples include…

a.     Geometric shapes (rectangles, triangles, circles)

b.     Horizontal and vertical orientations / orthogonal placement of elements

c.      Contrast of closed and open space (with emphasis on the transition between the two)

4.     Reflective surfaces posses the ability to effect the transition of space.  This is because they aid in creating the illusion of space entering into a closed surface.

5.     Planes define volume by virtue of their shape.  They exist to shape and active space.

6.     Organizational principles:

1.     Organization: The overall structure or pattern that joins parts of an object together into a sensible, unified, purposeful whole.  The organization of a design derives directly from its intended purpose, meaning, and function.

Derick Melander, Where do I stop, where do you begin, 2003.
Click here for more info

2.     Synergy: Emerges through the organization of separately unimpressive elements that join to produce an outcome greater than expected.

3.     Order & Freedom: In design there needs to be a balance of order and freedom. This will create and harmonious composition as well as interest and variety. A designer must think about which they wish to emphasize in order to achieve their design goals.

Zenos Frudakis,  Freedom.
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4.     Structure & Unity: A systematic structure relies on the effective use of unified principles.  These principles visually bind a composition together. (Principles include: balance, proportion, continuity, repetition, etc.…)

Ali Tregaskes, Cover.
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5.     Symmetry: The most common type of symmetry is mirror (bilateral) symmetry.  It occurs when half of a composition is repeated by its reflection in the other half.  Radial symmetry employs the use of repeated forms that radiate from a central axis point.

Tony Orrico, Penwald: 4: Unison Symmetry Standing, 2010.
Permanent marker on wall. 12 hours. 80" x 216".
Photo by Michael Hart.
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6.     Repetition within Variety: Repetition creates order in a composition, but too much of it can be boring.  Therefore, variety is needed in order to hold the viewers’ attention.  Repeating compositional elements of specific relationships develops strong unity within a design.

Erich Remash, Jeremy Berglund, Don Peterson, & Chad Ingle, Bellatrix & Betelgeuse.
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7.     Rhythm & Gradation: These two forms of application with variety use the systematic repetition of intervals of change.

Gerhard Petzl, Layer Sculpture.
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